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Jonathan Demme’s best known directorial work came at a moment when serial killer fascination in America was peaking. Advances in police tactics, forensic science, evidence collection and communication brought with them a hunger to understand the most remote and unfathomable criminal psyches.
Unlike popular panics against satanists, beatniks, hippies, and druggies, this wasn’t a craze born of imagined crimes or counter-culture fears, instead it was a slow revelation that monsters had gone unchecked among us for decades due to technological limitations and general incompetence.
Michael Mann tackled Thomas Harris’ serial killer/profiling detective series several years earlier with the stunningly stylish Manhunter, but Demme’s work has become the fundamental text not just in bringing Hannibal Lecter to the screen, but in mythologising these criminals on film. Silence of the Lambs creates such a compelling portrait of the psychopath and the cat & mouse in catching them that practically all TV and film focused on serial killers—whether fact or fiction—operates from the framework Demme established.
Special Features (via criterion.com)
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