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Often considered Japan's answer to Jean-Luc Goddard, Seijun Suzuki can be something of a difficult director to approach for uninitiated viewers. Originally something of a workaday crime-drama director for Nikkatsu, his acrimonious split with the company became a cause celeb and launched him as an independent voice in deconstructionist, avant-garde cinema.
Tattooed Life represents the first strike in Suzuki's split from formal convention. On its surface, a ninkyo (chivalry) film, about a heroic yakuza searching desperately to leave his criminal past behind, Suzuki builds slowly and cautiously to an operatic finale. A toned-down, simple film suddenly bursting with color and life and experimental camerawork.
Tattooed Life was followed by Tokyo Drifter and then Branded to Kill, carving out Suzuki's reputation as a true auteur, and ending his time as a studio filmmaker. Of all the director's works, I find this to be the most enjoyable balance of narrative strength and artistic experimentation. A great place to start approaching Suzuki's filmography.
Special Features (via radiance.co.uk)
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