Ask the right person on the right day and they will tell you that Marlon Brando invented acting on the set of On the Waterfront. His portrayal of former boxer-turned-longshoreman Terry Malloy won him an Academy Award for Best Actor in 1954, but more importantly, it cemented Brando's immersive approach to characterization as a dominant school of thought for cinematic performance moving forward.
While the film is also notable for being one of Kazan's several dramatic masterpieces, a huge amount of the credit also has to go to writer Budd Schulberg. This was the first of two collaborations between Schulberg and Kazan (the second being A Face in the Crowd), and while based on a series of articles about organized crime in New York, the story was entirely of Schulberg's own creation.
An incredible script, an acting masterclass, and a wonderful piece of directing, On the Waterfront is truly one of classic Hollywood's greatest creations.
New 4K digital restoration, with uncompressed monaural soundtrack
Alternate presentations of the restoration in two additional aspect ratios: 1.85:1 (widescreen) and 1.33:1 (full-screen)
Alternate 5.1 surround soundtrack, presented in DTS-HD Master Audio
Audio commentary by authors Richard Schickel and Jeff Young
New conversation between filmmaker Martin Scorsese and critic Kent Jones
Elia Kazan: Outsider (1982), an hour-long documentary
New documentary on the making of the film, featuring interviews with scholar Leo Braudy, critic David Thomson, and others
New interview with actor Eva Marie Saint
Interview with director Elia Kazan from 2001
Contender: Mastering the Method, a 2001 documentary on the film’s most famous scene
New interview with longshoreman Thomas Hanley, an actor in the film
New interview with author James T. Fisher about the real-life people and places behind the film
Visual essay on Leonard Bernstein’s score
Visual essay on the aspect ratio
Trailer
English subtitles for the deaf and hard of hearing
PLUS: An essay by filmmaker Michael Almereyda, Kazan’s 1952 defense of his House Un-American Activities Committee testimony, one of the 1948 Malcolm Johnson articles that inspired the film, and a 1953 piece by screenwriter Budd Schulberg
Specs
Reset your password
We will send you an email to reset your password
Login
Create account
We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies