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RoboCop is, perhaps, one of the strangest properties to lay claim to being among cinema’s all time greatest films. Ostensibly produced with the expectations of a B-movie genre-picture, the film’s shocking violence immediately gave it a sense of the forbidden. Growing up, RoboCop was the kind of movie parents absolutely should not let their kids see.
Time, and a still prudish America far more comfortable with blood and violence than sex and sacrilege, has changed perspective. Today RoboCop is much better understood as a fundamental text that, while still shocking, is hardly out of step with expectations of teen viewers raised on the desensitizing glut of internet media.
The ripping off of the X-rated ultra-violence bandaid that once kept RoboCop as something of a cult sensation has allowed for a deeper appraisal of both its formal artistry and deeper themes. A structurally circular film, where triumph exists as a mirror image of trauma, paints an essential view of late-stage capitalism and the drive to privatize public services. As AI companies threaten to take over classrooms, hoard water and electricity, and seep into every corner of our daily lives, RoboCop is a stark reminder that the inhumanity driving this takeover isn’t mechanization, but human greed.
Special Features (via arrowvideo.com)
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