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Elaine May was a director ahead of her time. Watching the Heartbreak Kid now and it reads like a thoroughly modern anti-romcom akin to 500 Days of Summer or Listen Up Phillip. Mikey and Nicky is a still startling deconstruction of male friendship in the face of professional responsibility, Ishtar is literally just Step Brothers for the 80s.
To say then, that A New Leaf, is May's most traditional film is only to reflect on how much the rest of her filmography bucked tradition.
Walter Matthau plays a thoroughly sexually disinterested son of a wealthy family, suddenly faced with financial ruin as a result of his complete ineptitude. His only path to freedom? Find a wealthy heiress, marry her, and kill her. But, what if that woman just so happens to become his only reason for living?
Special Features (via vinegarsyndrome.com)
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